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Capitalist realism
The term "Capitalist realism" has several meanings or uses. It has been used, particularly in Germany, to describe commodity-based art, from Pop Art in the 1950s and 1960s to the commodity art of the 1980s and 1990s.〔Gibbons, p.53〕 Alternatively, it has been used to describe the ideological-aesthetic aspect of contemporary corporate capitalism in the West. When used in this way, it is a play on the term "Socialist realism".
==History==
Although attested earlier,〔E.g. by Abraham Polonsky of Edward Dmytryk's ''The Caine Mutiny'': William Pechter and Abraham Polonsky, 'Abraham Polonsky and "Force of Evil"', ''Film Quarterly'', 15.3 (Issue on Hollywood ) (Spring, 1962), 47-54 (p. 53); http://www.jstor.org/stable/1210628.〕 the phrase Capitalist realism was first prominently used in the title of the 1963 art exhibition in Düsseldorf, ''Demonstration for Capitalist Realism'', which featured the work of Gerhard Richter, Sigmar Polke, Wolf Vostell, and Konrad Lueg.〔Honour, Hugh. ''A World History of Art'', Laurence King Publishing, p847. ISBN 1-85669-451-8〕 The exhibition's participants focused upon depictions of Germany's growing consumer culture and media-saturated society with strategies, in part, influenced by those of their American Pop counterparts. They were inspired primarily by the iconography depicted in newspapers and magazines.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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